You can do cloth , however its via a sublimation process. The problem with cloth is that it has no liner , so the inks soak thru. We have tried a sort of satin / silk stuff with a liner , works quite well but it was horrendously expensive.
We print on mesh for inside window stuff , its way cheaper than contravision but has no sticky side , it needs to be adhered inside windows , but is amazing stuff – you cant see in at all and it looks like there is nothing on the windows looking out. We use clear VHB tapes on the inside of the windows to secure it (tape is a 3m product). We actually laminate contravision with clear when we do have to use it , this stops damage to the print and stops the rain etc blocking the holes. It’s no quite as see thru if unlammed , but its way better in the rain (where the see thru vision REALLY counts)
I do roll up blinds and vertical louvre blinds with the mesh. Nice thing is that it prints real fast (300 sq ft an hour) and is very cheap , something like Gbp 1.50 per sq meter. It also hangs nicely without curling. Our old premises has 20 liner meters x 2.5m main street window frontage , and when we moved (we still have the old premises) we hung these meshes inside the window with huge arrows pointing round the corner where we moved and graphics depicting all our products. so far , in full sun etc , they havent faded. We have all the light transmission thru the stuff and can have a naked orgy inside the old place without any passers bye seeing a thing:)
As to profiles ,they are not that critical to get the exact one. The biggest factor is ink loading , IE you need to load the material till just before the ink puddles or runs , normally using any generic profile for your media works if you just test the loading and limit it. There are a lot of other settings with profiles , like dot size ,etc etc but the only other one you really have to bother with is feed calibration (and maybe total inkload at black cutoff point)