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Gold Leaf windows: TS Edwards solicitors
Posted by Neil Davey on 29 January 2008 at 18:14Hi, here’s a gold leaf window job I did last year. Went back today to hang some more signs so took some quick photos….
23 3/4 carat gold with black oneshot outline and backed up with clear varnish……..enjoyable job to do but you do tend to go home covered in gold leaf 😀
Kimberley Edwards replied 17 years, 6 months ago 6 Members · 7 Replies -
7 Replies
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it’s along time since i done a bit of glass gilding it’s a long time since i done any signwriting gelatine and a bit of static the only glass guilding of mine that i still see is on a monumental sculptors window in sunny ayr it still looks like new today but it must be 20 years old
i don’t think that the vinyl manufacturers are giving that sort of guarantee yet -
quote John Imrie:it’s along time since i done a bit of glass gilding it’s a long time since i done any signwriting gelatine and a bit of static the only glass guilding of mine that i still see is on a monumental sculptors window in sunny ayr it still looks like new today but it must be 20 years old
i don’t think that the vinyl manufacturers are giving that sort of guarantee yetMaybe you ought to get your tip and cushion out and blow the dust off them John………..there is still a market for traditional work.
Thanks Karl, Jill & Nik, there’s nothing quite like goldleaf.
Jill did you see the article by Chris Lovelady in Signcraft combining computer cut masks with goldleaf… I’m going to give that a go, and also the fire appliances, now that is guilding 😮
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Yes I did. I just gilded a window over the weekend with a computer mask.
(altho it was not a brilliant water gild but a surface gild on the smooth side of frosted glass with LaFranc slow size)
It turned out real well for me and I am a very poor gilder.
I was taught by my friend Bob Hovanek from Big City Signs in Johnstown (site of the infamous flood)
to cut a thinnish outline around the letters in the masking but not weed that out.
Apply the size then remove the outline so you don’t get a ridge.
Love….Jill -
quote :there is still a market for traditional work.
– Yes, there is – especially when so few people do it, the ones who do can carve out a niche. I’ve not done any glass gilding since I was taught, but I do get many calls for sign painting – typical caller says "I really want hand painting, and you’re the only person I could find doing this." Of course there are others, but I’ll be satisfied they found me. I like the low overhead – a few brushes, a few cans of One Shot, a mahl stick, a bag of charcoal and a couple ladders (of course I’ve added the computer for the layouts).
Your work on the solicitor’s window is beautiful, Neil. That will last for 50 years, no problem.
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