Home Forums Sign Making Discussions Traditional Boat Signwriting – my work.

  • Craig Brown

    Member
    5 September 2014 at 09:36

    A leftie sign-writer…That was the first question I was asked at the job interview back in 1984…"are you left handed"…if the answer had been yes I wouldn’t have been employed…never did understand the logic that you’d drag your hand through the paint…surely that’s why we used a maulstick?

    Looks great by the way…

  • Mike Grant

    Member
    5 September 2014 at 12:25

    Another lefty here as well… 😀 I had some hair back then as well. 😉


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  • Brian Little

    Member
    5 September 2014 at 13:01

    yeh craig and i suppose if im honest i have dragged the maul stick over it 😀

  • Brian Little

    Member
    5 September 2014 at 13:01

    nice one mike 😀

  • John Singh

    Member
    5 September 2014 at 15:00
    quote Mike Grant:

    Another lefty here as well… 😀 I had some hair back then as well. 😉

    Never mind the hair………Can you still get down that low for so long? :shake:

  • John Singh

    Member
    5 September 2014 at 15:03

    Interesting Brian
    Notice your shadows are to the left of the letters
    Always done mine on the right
    So I wonder if being a leftie makes the difference

    Nice boat sign by the way

  • Martin Pearson

    Member
    5 September 2014 at 22:11
    quote John Singh:

    Interesting Brian
    Notice your shadows are to the left of the letters
    Always done mine on the right
    So I wonder if being a leftie makes the difference

    Nice boat sign by the way

    Surely which side you paint the shadow depends on the time of day :lol1: :lol1:

    Nice looking Job Brian, unfortunately traditional sign writing is something I will never be able to do 😳

  • Tim Cowlishaw

    Member
    6 September 2014 at 08:28

    Im a lefty Nice work Shame theres not more of it about
    the dropped shadow is a interesting point

  • Mike Grant

    Member
    6 September 2014 at 16:27
    quote John Singh:

    Never mind the hair………Can you still get down that low for so long? :shake:

    John, to be honest if I could get down there even for 5 seconds chances are that I wouldn’t get back up.
    I have even bought a table lift for my motorbike as I can no longer get low enough to polish it anymore. 😥
    We are all getting older by the day boyo!

  • Mike Grant

    Member
    6 September 2014 at 16:31
    quote Craig Brown:

    “are you left handed”…if the answer had been yes I wouldn’t have been employed…

    Now today I’m sure that would be discrimination of the first degree and it just proves how wrong that decision was today and yesterday. (chat.) (:) (hot)

    😉

    Just an afterthought, did your employers ever think it was to a lefty’s advantage when signwriting in reverse on a window! No, I didn’t think so! 😀

  • Craig Brown

    Member
    8 September 2014 at 08:25
    quote Mike Grant:

    Just an afterthought, did your employers ever think it was to a lefty’s advantage when signwriting in reverse on a window! No, I didn’t think so! 😀

    Still wrote left to right on the inside of the window (paper template on the outside)…never really thought about it as that was the way I was taught…and at that stage I doubt I was brave enough to question my boss 😉

  • NeilRoss

    Member
    10 September 2014 at 17:57

    Nice work Brian. Makes me want to go and get the brushes out again. I’m right handed but always did my shadows to the left just like yours.

  • NeilRoss

    Member
    10 September 2014 at 18:00
    quote Mike Grant:

    Another lefty here as well… 😀 I had some hair back then as well. 😉

    Wrecked my back working hours bent double like that.

  • Steve Maple

    Member
    12 September 2014 at 21:17

    great
    do lefties always drop shadow to the left?
    or does the sun rise in the east where the lefties live…….

  • John Singh

    Member
    12 September 2014 at 21:24
    quote Steve Maple:

    great
    do lefties always drop shadow to the left?
    or does the sun rise in the east where the lefties live…….

    Don’t know the answer to that
    One thing for sure with all brushies is that the shadow goes underneath and not at the top

    I’m correct am I?…………..am I? 😕

  • Robert Lambie

    Member
    12 September 2014 at 21:43

    Nice work brain, i have given it a go and know it is anything but easy. i did better at gold leaf work. :lol1:

    quote Tim Cowlishaw:

    Im a lefty Nice work Shame theres not more of it about
    the dropped shadow is a interesting point

    There i thought, when reading this, being a lefty was not popular… 3 in this thread alone! :lol1:

  • NeilRoss

    Member
    13 September 2014 at 08:43
    quote John Singh:

    quote Steve Maple:

    great
    do lefties always drop shadow to the left?
    or does the sun rise in the east where the lefties live…….

    Don’t know the answer to that
    One thing for sure with all brushies is that the shadow goes underneath and not at the top

    I’m correct am I?…………..am I? 😕

    John – For me it’s always been to the left and underneath. Even when I was young in School I loved to look at lettering work and used to draw on my jotters (not to be advised!!!) and it just seemed natural to me to have the light from top-right. For me, having the shadow at the top seems to resemble a 3D letter being viewed from above the horizon, even although it may not have been the intention. If you use a chistle writer, it’s natural to have it rotated ~45 deg to the left (for me anyhow) which aids the form of the stroke going down and underneath in (often) a single sweep depending on the letter size – similar to one stroke or caligraphy. I’ve always thought it more logical and readable to have the shade that way as when the eye tracks left to right along a word or sentence the shadow is left behind and doesn’t have the effect of creating an obstruction for the eye to flow on to the next letter. Getting a bit deep there, I realise!! But it’s amazing what your brain finds to think about when your stand there twiddling the brush! 😀

  • Brian Little

    Member
    14 September 2014 at 07:57

    thankyou guys ….John.. you know ive never gave it a thought ive always done the shading from the left it just seems to come natural

  • Brian Little

    Member
    14 September 2014 at 08:02

    Robert you should give it another go…good set of good quality brushes…pure sable chisle writers is my choice . Script lettering as any sign-writer will tell you is the easiest to do light touch for the thin strokes then more pressure on the brush for the thicker…easier to do than to describe if you get my meaning v

  • Brian Little

    Member
    14 September 2014 at 08:12
    quote NeilRoss:

    quote John Singh:

    quote Steve Maple:

    great
    do lefties always drop shadow to the left?
    or does the sun rise in the east where the lefties live…….

    Don’t know the answer to that
    One thing for sure with all brushies is that the shadow goes underneath and not at the top

    I’m correct am I?…………..am I? 😕

    John – For me it’s always been to the left and underneath. Even when I was young in School I loved to look at lettering work and used to draw on my jotters (not to be advised!!!) and it just seemed natural to me to have the light from top-right. For me, having the shadow at the top seems to resemble a 3D letter being viewed from above the horizon, even although it may not have been the intention. If you use a chistle writer, it’s natural to have it rotated ~45 deg to the left (for me anyhow) which aids the form of the stroke going down and underneath in (often) a single sweep depending on the letter size – similar to one stroke or caligraphy. I’ve always thought it more logical and readable to have the shade that way as when the eye tracks left to right along a word or sentence the shadow is left behind and doesn’t have the effect of creating an obstruction for the eye to flow on to the next letter. Getting a bit deep there, I realise!! But it’s amazing what your brain finds to think about when your stand there twiddling the brush! 😀

    oh neil your far to sharp for me im only paid from the waist down…i just strike to lines scribble roughly where its gona go and move accordingly 😀 😀 😀

  • NeilRoss

    Member
    14 September 2014 at 09:35
    quote Brian Little:

    quote NeilRoss:

    quote John Singh:

    quote Steve Maple:

    great
    do lefties always drop shadow to the left?
    or does the sun rise in the east where the lefties live…….

    Don’t know the answer to that
    One thing for sure with all brushies is that the shadow goes underneath and not at the top

    I’m correct am I?…………..am I? 😕

    John – For me it’s always been to the left and underneath. Even when I was young in School I loved to look at lettering work and used to draw on my jotters (not to be advised!!!) and it just seemed natural to me to have the light from top-right. For me, having the shadow at the top seems to resemble a 3D letter being viewed from above the horizon, even although it may not have been the intention. If you use a chistle writer, it’s natural to have it rotated ~45 deg to the left (for me anyhow) which aids the form of the stroke going down and underneath in (often) a single sweep depending on the letter size – similar to one stroke or caligraphy. I’ve always thought it more logical and readable to have the shade that way as when the eye tracks left to right along a word or sentence the shadow is left behind and doesn’t have the effect of creating an obstruction for the eye to flow on to the next letter. Getting a bit deep there, I realise!! But it’s amazing what your brain finds to think about when your stand there twiddling the brush! 😀

    oh neil your far to sharp for me im only paid from the waist down…i just strike to lines scribble roughly where its gona go and move accordingly 😀 😀 😀

    Ha ha – just waffling Brian… 😀 😀

  • Brian Little

    Member
    14 September 2014 at 10:00

    nice one neil ill use that to confuse customers 😀 😀 😀 😀

  • George Metcalf

    Member
    8 May 2016 at 20:30

    Hi Guys, I,m a Lefty to ! took a lot of practice to get it right when i was an apprentice, my father who trained me always insisted you shaded to the left because it’s more efficient,(fewer brush strokes) the only exception to that in his shop was some formal script lettering.

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