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  • Types of paint?

    Posted by Lars.wac on 12 January 2009 at 19:21

    Im a little confused about the different names of the different types of paint. Here in Denmark we use other names for the paints so please tell me whats special and whats the difference about these types of paint.

    -Urethane
    -Enamel
    -Varnish
    -Backup paint

    If you tell me whats special about these paint types I think I can figure it out.

    Hope you understand the question.

    -Lars

    Lars.wac replied 16 years, 10 months ago 2 Members · 2 Replies
  • 2 Replies
  • Peter Normington

    Member
    12 January 2009 at 21:34

    copied from wiki if it helps

    Varnish is a transparent, hard, protective finish or film primarily used in wood finishing but also for other materials. Varnish is traditionally a combination of a drying oil, a resin, and a thinner or solvent. Varnish finishes are usually glossy but may be designed to produce satin or semi-gloss sheens by the addition of "flatting" agents. Varnish has little or no color, is transparent, and has no added pigment, as opposed to paints or wood stains, which contain pigment and generally range from opaque to translucent. Varnishes are also applied over wood stains as a final step to achieve a film for gloss and protection. Some products are marketed as a combined stain and varnish.
    After being applied, the film-forming substances in varnishes either harden directly, as soon as the solvent has fully evaporated, or harden after evaporation of the solvent through certain curing processes, primarily chemical reaction between oils and oxygen from the air (autoxidation) and chemical reactions between components of the varnish. Resin varnishes "dry" by evaporation of the solvent and harden almost immediately upon drying. Acrylic and waterborne varnishes "dry" upon evaporation of the water but experience an extended curing period. Oil, polyurethane, and epoxy varnishes remain liquid even after evaporation of the solvent but quickly begin to cure, undergoing successive stages from liquid or syrupy, to tacky or sticky, to dry gummy, to "dry to the touch", to hard. Environmental factors such as heat and humidity play a very large role in the drying and curing times of varnishes. In classic varnish the cure rate depends on the type of oil used and, to some extent, on the ratio of oil to resin. The drying and curing time of all varnishes may be sped up by exposure to an energy source such as sunlight or heat. Other than acrylic and waterborne types, all varnishes are highly flammable in their liquid state due to the presence of flammable solvents and oils. All drying oils, certain alkyds, and many single-component polyurethanes produce heat during the curing process. Therefore, oil-soaked rags and paper can literally burst into flame hours after application if they are bunched or piled together, or, for example, placed in a container where the heat cannot dissipate. Spread rags and paper out to dry. As an added safety measure, douse the waste materials with water prior to drying. Alternatively they can be submersed in water in an airtight metal container and kept for later use or disposal. Check with manufacturer for details.
    The word "varnish" comes from Latin vernix meaning odorous resin, which etymology comes from Greek Berenice, ancient name of modern Bengasi in Libya, credited with the first use of varnishes. Berenice comes from the Greek words phero (to bring) + nike (victory).

    Polyurethane varnishes are typically hard, abrasion-resistant, and durable coatings. They are popular for hardwood floors but are considered by some to be difficult or unsuitable for finishing furniture or other detailed pieces. Polyurethanes are comparable in hardness to certain alkyds but generally form a tougher film. Compared to simple oil or shellac varnishes, polyurethane varnish forms a harder, decidedly tougher and more waterproof film. However, a thick film of ordinary polyurethane may de-laminate if subjected to heat or shock, fracturing the film and leaving white patches. This tendency increases with long exposure to sunlight or when it is applied over soft woods like pine. This is also in part due to polyurethane’s lesser penetration into the wood. Various priming techniques are employed to overcome this problem, including the use of certain oil varnishes, specified "dewaxed" shellac, clear penetrating epoxy sealer, or "oil-modified" polyurethane designed for the purpose. Polyurethane varnish may also lack the "hand-rubbed" lustre of drying oils such as linseed or tung oil; in contrast, however, it is capable of a much faster and higher "build" of film, accomplishing in two coats what may require multiple applications of oil. Polyurethane may also be applied over a straight oil finish, but because of the relatively slow curing time of oils, the emission of certain chemical byproducts, and the need for exposure to oxygen from the air, care must be taken that the oils are sufficiently cured to accept the polyurethane.
    Unlike drying oils and alkyds which cure, after evaporation of the solvent, upon reaction with oxygen from the air, true polyurethane coatings cure after evaporation of the solvent by a variety of reactions of chemicals within the original mix, or by reaction with moisture from the air. Certain polyurethane products are "hybrids" and combine different aspects of their parent components. "Oil-modified" polyurethanes, whether water-borne or solvent-borne, are currently the most widely used wood floor finishes.
    Exterior use of polyurethane varnish may be problematic due to its heightened susceptibility to deterioration through ultra-violet light exposure. It must be noted, however, that all clear or transluscent varnishes, and indeed all film-polymer coatings (e.g. paint, stain, epoxy, synthetic plastic, etc.) are susceptible to this damage in varying degrees. Pigments in paints and stains protect against UV damage. UV-absorbers are added to polyurethane and other varnishes (e.g. spar varnish) to work against UV damage but are decreasingly effective over the course of 2-4 years, depending on the quantity and quality of UV-absorbers added as well as the severity and duration of sun exposure. Water exposure, humidity, temperature extremes, and other environmental factors affect all finishes. By contrast, wooden items retrieved from the Egyptian pyramids have a remarkably new and fresh appearance after 4000 years of storage. Even there, however, fungal colonies were present, and mildew and fungus are another category of entities which attack varnish. In other words, the only coat of varnish with near perfect durability is the one stored in a vacuum, in darkness, at a low and unvarying temperature. Otherwise, care and upkeep are required.

    An enamel paint is a paint that air dries to a hard, usually glossy, finish. In reality, most commercially-available enamel paints are significantly softer than either vitreous enamel or stoved synthetic resins.
    With respect to paints enamel is a fanciful term, implying that an ordinary latex or oil-based paint has the same properties as true, fired vitreous enamel.
    Some enamel paints have been made by adding varnish to oil-based paint.
    The term sometimes refers to oil-modified polyesters that were introduced in the early 1930s. The oil is required to stop or enhance the crosslinking of the paint in order to achieve sufficient flexibility of the paint film.
    Typically the term "enamel paint" is used to describe oil-based covering products, usually with a significant amount of gloss in them, however recently many latex or water-based paints have adopted the term as well. The term today means "hard surfaced paint" and usually is in reference to paint brands of higher quality, floor coatings of a high gloss finish, or spray paints.

    Peter

  • Lars.wac

    Member
    13 January 2009 at 21:04

    Thanks for the answer Peter! Great information.

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